(Clancy Callahan and Tom Barrett playing music at the opening of Clancy’s mom, Cathy Eide’s exhibition of paintings.)
The other night I went to see Cathy Eide’s art opening at Cafe Flo. I was interested to see what she paints, and was really excited to hear Clancy sing. I’ve known her since she was very young and never knew until this week that she sings. Tom played and sang with her, and it was a fun night. Clancy’s voice is rich and rollicking and her songs are fun. For me they were evocative of a time many years go when I was married to a jug band musician, and used to sing along with him sometimes. She and Tom sang the same songs he did, and did it ever take me back. Back to a time when I thought the music could carry us along, through rocky and slow times. As long as we could sing through it we’d be okay. The music was a leveler of sorts. He didn’t seem to feel the same way about it, because he walked away without a backward glance a couple of years into the deal. After the child was born. Twenty years later music carried me through some hard times. As long as I could sing I didn’t cry because the singing touched the same place inside. Although I’ll admit there were some times I cried and sang at the same time. Not satisfying to sing while crying, but it couldn’t be helped. Sometimes the singing won out over the crying, however and I felt great comfort when that happened. Somewhere along the line, in the past fifteen or so, I forgot about the music. How did I do that? How could I forget the music?
Today I went to an Open Studios tour, to three different yards and art shows. There were quilts, paintings, ceramics, glass, beads, gourds, fountains and metal gates. Wonderful back yards and studios. I used to quilt. I poured my passion there, combining strong vibrant colors with deep black and then hand quilting them with black and shiny gold thread. The touch of the fabric, the colors and the sculpting of it with my needle and thread filled my heart. I was disappointed every time I finished one. But there was always one more to begin. For a while I had a studio upstairs where I could work in peace, yet could still see and hear my children below in the yard. I worked then, but my job didn’t satisfy my need for creativity so I did that outside of my work. Once I became a teacher I used so much creativity in my work that I faded out of quiltmaking. I haven’t finished one since I became a teacher. For a long time that was okay with me. I was doing other things, writing and making little mandalas on black paper. I still kept it going, often with my students. I believe that to write well you need to activate both sides of the brain, and that meant doing an art project before writing a essay. It seemed to work well for my students and me.
Times have changed again. For the past three or so years my job has not been especially creative for a variety of reasons. I seem to have quit doing any art and I barely even listen to music any more. Only recently have I begun to sing again. I take pictures now and have begun to regain my vision. Today’s tour of studios and backyards has inspired me to step it up a notch. Not sure yet what that means. We’ll see. In the meantime, you’ll have to excuse me. I need to go put some music on and clean my house.

Now it’s definite. There are clearly peaches sold here. You can just call the farmers on your phone. Except what are those two last numbers spray painted on that plywood sign? You can’t tell, so once again you turn around. You drive into the driveway with a bit more confidence this time, and this time the man in the yard stands up and waves. So you park and get out of your car, and walk toward him. He is somewhere between sixty and eighty years old, with beautiful crinkly brown skin and is wearing a dirty turban of an unrecognizable color. He calls out loudly,”Peaches? Bag? You? Peaches?!” In case you’ve missed it, he demonstrates with his hands a shopping bag. Relieved, you say, “Peaches! Yes! Peaches! How much?” “Fifteen dollars,” he shouts. Once you are close enough to converse, you drop your volume. You are, after all an ELD teacher and you know that increasing the volume of the conversation doesn’t increase its comprehensibility. He doesn’t know that, apparently, and continues to shout at you. “Peaches! Bag!” Thinking that fifteen dollars sounds like either a lot of peaches or a lot of money for a few, you say “Five dollars worth” and hand him a five dollar bill so there is no mistake. He looks at it, and says “You car. Peaches. Bag” and he takes off walking toward the orchard.
One summer, I think it was about 2004, I made mandalas. I carried black paper, colored pencils, a sharpener and a compass in my bag and I made mandalas, sometimes several every day. It was kind of a way to check in with myself, to recenter my focus. Some of them were really tiny, only about two and a half inches in diameter, and some took up the extent of a piece of black artagain paper, about nine inches across.
Lately the universe seems to want to teach me a lesson about making myself happy, reminding me that my happiness is my own business and my own responsibility. This force is devious, I must say. I have had lots of chronic, nagging discontent all around the edges of my existence lately, and I finally realize that even when other people are involved with it, the blame for my reaction to the events that befall me is completely my own. I know, big d’oh. Sometimes I forget this.
I just finished a book by Adriana Trigiani called Milk Glass Moon. It is the sort of page turner of a book that reminds me of a Hallmark movie. Completely engaging, yet not especially edgy. I’m not going to shout to everyone that it is a must read, but I enjoyed it. The reason I mention it is that there was a concept in there that has kind of stuck in my head today. That is the idea of redreaming. This is presented as what you do when you reach your dreams. You don’t stop and think you have arrived, you must redream. Dream another one.



